My Practice
PERFORMANCE · TEACHING · EXPLORATION
An approach to rhythm grounded in the physical language of percussion and improvisation.
Shaped over time through ongoing study, playing, listening, learning, and engaging with people.
Instruments
Primary Voices
Core textures in the acoustic dialogue
Doholla
Depth - wide dynamics
Darbuka
Precision – clear articulation
Bendir
Resonance – subtle sustain
Cajon
Pulse – versatile groove
Complementary Layers
Additional colours in the expressive palette

Daire
Usul phrasing

Hollo
Bass timbre

Davul
Folk character

Tef
Classical nuance
Structural Backbones
Idioms and sources influencing the rhythmic vocabulary

Tabla
Tonality

Kanjira
Modulation

Ghatam
Cavity

Nagara
Projection

Daf
Surge

Tombak
Fluidity
Hybrid Rig
A flexible setup combining modular percussion elements in a custom configuration

Handpan
Synthesis of percussive touch with melodic and harmonic motion

PROJECTS & CONCEPTS
Meydan Muziek
An expandable ensemble built around modal traditions and reworked repertoire.
Khayal
An expandable ensemble built around responsive improvisation and intuitive motifs.
Kitman
A solo act combining live looping, spontaneous repetition, and multi-percussion.
LINEAGE & GRATITUDE
With gratitude to the teachers, musicians and craftsmen
who have guided my rhythmic language and artistic path.
Masters
Selami Sevinç (Drums) • Mısırlı Ahmet (Darbuka) • Kostas Anastasiadis (Drums) • Kailash Nishad (Tabla) • Ganesh Kumar (Kanjira) • Suresh Vaidyanathan (Ghatam) • Nathulal Solanki (Nagara) • John Jhalib Millar (Tabla) • Yogesh Samsi (Tabla) • Levent Yıldırım (Doholla) • Youssef Hbeisch (Percussion) • Fahrettin Yarkın (Percussion) • Pedram Khavarzamini (Tombak)
Makers
Volga Tunca • Serkan Özdilek • Emin Bolat • Ralf van den Bor • Toss Levy • Majid Karami • Sergen Güğük
